Questions, answered straight

No. He reads your beat, maps the bars, and flags weak rhyme, stress drift and lines that don't say anything — but every word in the lyric pad is typed by you.

You can write lyrics with nothing loaded, but the beat sweep — sound, tempo and topline shape — only runs once you've dropped an MP3 or WAV in.

You do, outright. I Write Mines claims no rights in your lyrics, melodies or recordings — it's a workshop, not a publisher.

Beat sweep, bar map and the lyric pad are open in beta. Longer concept-video runtime and heavier grading passes are what Pro and Premium unlock — see the pricing page.

Yes — the scratch pad autosaves in your browser, and one click turns it into a library project that syncs to your account.

It builds the render from choices you make — artist credit, intro, direction, timing and style. You're picking every creative call; it's staging your song, not writing your concept.

Lyric videos and directed concept films both render to MP4 at 1280×720, ready to upload anywhere.

You need the rights to the audio you upload — if it's your own record or something you're cleared to use, you're fine.

Beta includes a set number of concept-video minutes; Pro and Premium raise the cap. Check current minutes on the pricing page.

You do. It's your song and your render — we don't take a cut or a credit.

That's the point of the room — load your sides, cast an AI reader for the other part, and run the scene solo, hands-free or tap-to-advance.

It reads opposite you and can flag pace or missed cues; it never rewrites your sides or feeds you line readings you didn't choose.

Age, gender, character type, backstory, style and pace — cast the scene partner the way the scene actually needs.

Into the tape locker in this room, tied to your account — download or share from there.

Either. The deep sweep works on uploaded pages or pasted text.

No — it grades. You get scene-by-scene notes on what's wrong and why, plus study models, but the rewrite is yours to do.

Four passes: scene-by-scene coverage, a continuity ledger (timeline, props, geography, setups/payoffs), a dialogue pass, and an overall studio-style coverage report.

Standard screenplay formats and plain text/Word docs — the reader handles industry-standard scene headings.

No — pilots, shorts and stage plays all run through the same four-pass sweep.

A limited grade is included in beta; the full four-pass coverage on longer scripts is a Pro/Premium feature — see pricing for current limits.

No — the narrator reads exactly what you wrote. Nothing is rewritten, trimmed or paraphrased.

EPUB, PDF, Word (.docx), plain text, Markdown, RTF and Fountain — chapters are detected automatically.

Yes — pick any subset of the detected chapters, or paste a scene manually.

Six studio voices across four delivery styles, with a preview before you commit to a full render.

A downloadable MP3, yours outright — no rights are taken over your book or the narration.

No — it's an engineering desk. You bring the vocal and the beat; the AI coach walks you through cleanup, balance and mastering moves. It never generates the music itself.

A concrete mixing stage — gain staging, EQ, compression, and so on — with a target you're working toward and a coach note on what's off.

Yes, genre presets set starting targets for the desk, and you can push past them however the record needs.

A mixed and mastered session you can export, plus the settings history so you can see what each move changed.

No — a decent pair of headphones and a browser mic for recording vocals is enough to get started.

It's live video with your actual co-writers, on one shared page, with Mr AP coaching the table — he doesn't write lines for anyone in the room.

Song, book or script sessions — each mode has its own shared-page structure suited to that kind of work.

The room walks you through a splits sheet and registration steps (BMI, ASCAP, SoundExchange, MLC) before anyone leaves the session.

Enough for a normal writing session — invite co-writers with the room code, no separate accounts required to view.

The writers who wrote it, per the splits you agree on — I Write Mines doesn't take any stake in the work.

No — Earn is built around what you make here, not follower count. Check the room for the current paths available.

Any fees or splits are stated plainly in the room before you opt in — nothing hidden after the fact.

Yes — participating in Earn doesn't transfer ownership of your writing, recordings or scripts.

Submissions go through review before anything is approved — see the room for current turnaround.

In your account portal, alongside your other activity and payouts.